(Note: This is a follow-up to my previous post about "McDonald's Japan's Unbelievable Customer Service.")
So the call from the McDonald's manager came on Sunday around 11:20am--a good 25 minutes earlier than I was expecting. He asked if I would mind if he left/came over a little bit earlier, which was fine by me since I was up anyway and had not yet eaten anything.
As promised, he came bearing not only my 690yen refund for the Hawaiian BBQ Pork Burger (Set) that wasn't, but also with a freshly made replacement set.
The conversation was about as awkward as you would expect it to be--with
him apologizing again in excruciatingly polite Japanese and ending with
a 90-degree bow. Thankfully it was a very short conversation--quite a bit shorter than the phone conversation. Not an experience I would want to repeat, but some did good come out of it.
Having had some time to think about what I would say, I was glad that I was at least able to somewhat apologize for having inadvertently made it into such a big deal with comments along the lines of: "I"m sorry, if only I had noticed it while I was in the store..." and "Thank you and sorry for making you come all the way out to deliver this to me."
Also, I was glad that he did in fact come over to our apartment instead of me going over to the McDonald's (as my husband suggested I should call back and say that I would do). If I had gone into the store to pick up the refund, all of the staff would know my face and I doubt that I would feel comfortable eating there again anytime in the near future. But this way, only the manager can connect my face to the complaint. And since I had never seen him before I opened the door, I think it's fairly safe to assume that the manager isn't usually out front, seeing customers.
As for the "proper" Hawaiian BBQ Pork Burger itself, well, it probably wasn't worth all of the fuss. There wasn't even all that much pulled pork on the burger anyway--I had to look twice after taking off the top bun to confirm that I hadn't somehow managed to get a pork-less burger a second time. The pork definitely did make the burger tastier the second time round but it didn't improve the taste enough that I would bother going back to eat it a third time.
So yeah, if you're going to make a complaint at McDonald's, I would highly recommend doing it in person while you are at the restaurant, rather than escalating things by filing a complaint through the McDonald's Japan's online comment/inquiy form (which I forgot to mention in the previous post was a bit of a pain to find anyway). My husband said that the apology wouldn't have been so over the top if I hadn't gone higher up the command chain with the complaint, and I tend to agree with him.
The idea of the personal apology and hand-delivered replacement meal sounds impressive and makes you feel like the company values its customers in theory, but in real life it is just a really awkward and embarrassing situation all around. And if--as my husband suggested (I hadn't even considered the possibility
until he pointed it out)--it was indeed only by command of the McDonald's
headquarters that made the manager apologize in the way that he did,
and it wasn't something that the manager genuinely felt that he should do, then that definitely changes my perspective/feelings on the matter. It would suck to work at a company that makes you apologize so abjectly over such a small issue. Valuing customers is important, but it is more important to value your employees and to treat them with respect!
I would like to think the best of the manager and McDonald's, though. Even though I would never ask or expect someone to go so far in apology--especially over such a minor matter--I would like to take the gesture at face value as a sign of the amount of respect the Towada Aeon McDonald's has for its customers.
And to end the post on a lighter note, have fun playing a game of "Spot the (Pulled) Pork"!
Showing posts with label Japanese culture. Show all posts
Showing posts with label Japanese culture. Show all posts
Wednesday, February 25, 2015
Thursday, February 19, 2015
McDonald's Japan's Unbelievable Customer Service
The high quality of Japanese customer service is well known around the world and a point of pride within Japan as well. I admit that after living here for nearly eight years, excellent customer service is something I have come to take for granted.
But McDonald's customer service has just blown my mind.
The background:
McDonald's currently has a limited time Hawaii-themed menu. I've been interested in trying out the "Hawaiian BBQ Pork Burger" since I first read about it on RocketNews24. A friend of mine tried it out last week and he recommended it, so I decided to try it for myself while I was at the local Towada Aeon Shopping Center last night.
That pulled pork on the wrapper looks delicious, right? Well, I opened up the wrapper and was disappointed with how small and plain the burger was.
No pulled pork in sight! I thought that was kind of odd, but I figured the picture was just supposed to be an image of what the patty was supposed to taste like. That was not the case, though, as it tasted like a plain old pork burger with some BBQ sauce. I was quite disappointed (and doubting the tastes of the friend who had recommended it to me).
I had some ice cream at Baskin Robbins to salve my disappointment before going to do my grocery shopping. But as I walked past the McDonald's on the way to the Aeon (grocery and everything store--the Japanese equivalent of Wal-Mart), I had a look at the big poster of the Hawaiian BBQ Pork Burger and hey! there was the pulled pork! (It had been a couple of weeks since I first read the article, so I had forgotten what it was supposed to look like.)
Well! At this point I started to think that I had gotten ripped off. After grocery shopping, I went home and checked out the McDonald's Japan website and read the description of the burger, and sure enough, it mentioned "horo horo pork" (ほろほろポーク) as well as the pork patty! I hadn't gotten a Hawaiian BBQ Pork Burger at all--just a pork burger with BBQ sauce!
After a bit of searching, I managed to find a form to get in touch with McDonald's regarding any comments, questions, etc. I wrote a very polite but blunt message (in Japanese, of course) along the lines of:
I filled in the date, time, and location of the McDonald's I had been at, as well as my home address, email address, and home phone number and submitted the form.
From my limited experience with making complaints to stores (I once found a bug baked into the corner of a Chinese bun I had already bitten into, and all I did was pull out the part around the bug and finished eating the bun), I figured I would get an email back saying that they would send me a voucher for a free burger or meal or something.
The customer service:
Instead, when I checked my email this morning, I had a message from McDonald's saying that someone from the Towada Aeon McDonald's would be calling the number I had put down in the form. Unfortunately that was my home number, so I missed the first call, but thankfully I have an answering machine so I got the message that the store manager would call me back.
I was expecting that he might ask me to come into the store and bring the receipt for the meal and the picture of the offending burger so that he could process a refund for me. Oh boy, was I wrong.
Around 8:30pm, I got the call. The manager was very apologetic and asked if I would allow him to come to my house to personally deliver the refund. All this and no question whatsoever about proving that the burger had indeed been made missing the pulled pork, or that I had truly purchased a set (and not just the burger).
But here's the real kicker: since I had been disappointed with my first Hawaiian BBQ Pork Burger experience, he wanted to make it up to me by also delivering me a freshly and properly made Hawaiian BBQ Pork Burger Set together with the refund.
?!?!?!?!
Being completely surprised and having no experience with this kind of conversation in Japanese, I couldn't figure out a polite way to refuse the offer. Ironically, I ended up feeling extremely apologetic about the fact that he was being so apologetic about the whole thing.
So yeah. This Sunday afternoon, I will get a refund and a freshly made Hawaiian BBQ Pork Burger Set hand delivered to me by the manager of the McDonald's. Oh, and even though we confirmed the date and time for him to come, he will also call me before coming over on the day of, just in case my plans change or something.
Never again will I think that people are exaggerating about how over the top Japanese customer service can be.
@_@
Looks like I won't be giving up the (bad) habit of always wanting to try out McDonald's new special menu item anytime soon. I'm still not a fan of the company overall, but I do have respect for McDonald's Japan now.
But McDonald's customer service has just blown my mind.
The background:
McDonald's currently has a limited time Hawaii-themed menu. I've been interested in trying out the "Hawaiian BBQ Pork Burger" since I first read about it on RocketNews24. A friend of mine tried it out last week and he recommended it, so I decided to try it for myself while I was at the local Towada Aeon Shopping Center last night.
That pulled pork on the wrapper looks delicious, right? Well, I opened up the wrapper and was disappointed with how small and plain the burger was.
No pulled pork in sight! I thought that was kind of odd, but I figured the picture was just supposed to be an image of what the patty was supposed to taste like. That was not the case, though, as it tasted like a plain old pork burger with some BBQ sauce. I was quite disappointed (and doubting the tastes of the friend who had recommended it to me).
I had some ice cream at Baskin Robbins to salve my disappointment before going to do my grocery shopping. But as I walked past the McDonald's on the way to the Aeon (grocery and everything store--the Japanese equivalent of Wal-Mart), I had a look at the big poster of the Hawaiian BBQ Pork Burger and hey! there was the pulled pork! (It had been a couple of weeks since I first read the article, so I had forgotten what it was supposed to look like.)
Well! At this point I started to think that I had gotten ripped off. After grocery shopping, I went home and checked out the McDonald's Japan website and read the description of the burger, and sure enough, it mentioned "horo horo pork" (ほろほろポーク) as well as the pork patty! I hadn't gotten a Hawaiian BBQ Pork Burger at all--just a pork burger with BBQ sauce!
After a bit of searching, I managed to find a form to get in touch with McDonald's regarding any comments, questions, etc. I wrote a very polite but blunt message (in Japanese, of course) along the lines of:
I ordered a Hawaiian BBQ Pork Burger Set for the first time today and was very disappointed because even though the picture of the burger showed delicious-looking pulled pork, all I got was a pork patty. I should have said something to the staff at the time, but I thought that was just the way it was supposed to be. It wasn't until I got home and checked the McDonald's webpage that I realized that there was supposed to be pulled pork on the burger. Since I didn't actually get the Hawaiian BBQ Pork Burger that I ordered, would it be possible to get a refund or something? (If necessary, I have photos of the burger that clearly show there was nothing but a patty.)
I filled in the date, time, and location of the McDonald's I had been at, as well as my home address, email address, and home phone number and submitted the form.
From my limited experience with making complaints to stores (I once found a bug baked into the corner of a Chinese bun I had already bitten into, and all I did was pull out the part around the bug and finished eating the bun), I figured I would get an email back saying that they would send me a voucher for a free burger or meal or something.
The customer service:
Instead, when I checked my email this morning, I had a message from McDonald's saying that someone from the Towada Aeon McDonald's would be calling the number I had put down in the form. Unfortunately that was my home number, so I missed the first call, but thankfully I have an answering machine so I got the message that the store manager would call me back.
I was expecting that he might ask me to come into the store and bring the receipt for the meal and the picture of the offending burger so that he could process a refund for me. Oh boy, was I wrong.
Around 8:30pm, I got the call. The manager was very apologetic and asked if I would allow him to come to my house to personally deliver the refund. All this and no question whatsoever about proving that the burger had indeed been made missing the pulled pork, or that I had truly purchased a set (and not just the burger).
But here's the real kicker: since I had been disappointed with my first Hawaiian BBQ Pork Burger experience, he wanted to make it up to me by also delivering me a freshly and properly made Hawaiian BBQ Pork Burger Set together with the refund.
?!?!?!?!
Being completely surprised and having no experience with this kind of conversation in Japanese, I couldn't figure out a polite way to refuse the offer. Ironically, I ended up feeling extremely apologetic about the fact that he was being so apologetic about the whole thing.
So yeah. This Sunday afternoon, I will get a refund and a freshly made Hawaiian BBQ Pork Burger Set hand delivered to me by the manager of the McDonald's. Oh, and even though we confirmed the date and time for him to come, he will also call me before coming over on the day of, just in case my plans change or something.
Never again will I think that people are exaggerating about how over the top Japanese customer service can be.
@_@
Looks like I won't be giving up the (bad) habit of always wanting to try out McDonald's new special menu item anytime soon. I'm still not a fan of the company overall, but I do have respect for McDonald's Japan now.
Thursday, August 1, 2013
News & Media Round-Up, July 16 - August 1, 2013
CANADA
The Beaverton (satirical news site)
- Parrot removed from Montreal Biodome after learning too much English
The HillTimes
- Ironically, economy may turn out to be one of the Harper government's biggest failures
Huffington Post (Canada)
- How Harper Uses Psychology to Peddle Myths
- Ontario's McLobster Dreams Have Come True
Toronto Star
- Suspension of EI whistleblower sets dangerous precedent, critics say
Winnipeg Free Press
- Slurpees & Winnipeg: A love story
- Winnipeg sucks! Slurpee king again
JAPAN
ak47: tumblr
Poor Pikachu! (my caption)
enRoute (Air Canada)
- Inside the Nebuta House Wa Rasse Museum
Japan Pulse
- The last of the McDonald's Jewelry
- Limited-edition burgers, ep. deux
(- A Tale of Two Limited-Edition Burgers: Lotteria's Twin and McD's Gold Ring - July 9)
Japan Times
- Mount Fuji fee charged, but signs in Japanese
- Plant by numbers
Kotaku.com
- Unique Japanese Mail Boxes Are Wonderful in Rain or Shine
- How a Japanese Radish Became an Internet Hero
- Ferrari Lovers, This Anime Stunt Might Horrify You
WORLD
The Beaverton (satirical news site)
- Kate Middleton gives birth to beautiful, healthy news story
Kotaku.com
- How Chinese Ingenuity Destroyed Salad Bars at Pizza Hut
Geekologie.com
- Man Caught Driving With Pliers For A Steering Wheel
The White House
- President Obama: Trayvon Martin Could Have Been Me
ART/STUFF/DIY
Geekologie.com
- Just What I Always Wanted!: Raw Meat Gift Wrap Paper
imgur
-15 Over-Used Movie Poster Clichés
Kotaku.com
- How To Turn Your Cat into Totoro
- Act fast and you can snag this hilarious Mario warp-pipe cat complex from CatistrophicCreations on Etsy
TAXI
- Crisp Illustrations Of Creatures From Japanese Folklore
VIDEOS
BuzzFeed
- Japanese Animator Films Mesmerizing Lightscapes in Downtown Tokyo
Jezebel.com
- Rad Kids React to Racists Freaking Out About the Cheerios Commerical
- The Daily Show's Zimmerman Coverage Is as Rage-Filled as It Should Be
Entertainment Weekly
- PopWatch: Here's what happens when 280 movies are edited together to sing Vanilla Ice's 'Ice Ice Baby'
YouTube
- Shut Up & Sit Down, Season 2, Episode 12 - Introduction to Board Games
- YANIS MARSHALL "SPICE GIRLS" Directed By FERNANDO DE AZEVEDO Feat ARNAUD BOURSAIN & MEHDI MAMINE
The Beaverton (satirical news site)
- Parrot removed from Montreal Biodome after learning too much English
The HillTimes
- Ironically, economy may turn out to be one of the Harper government's biggest failures
Huffington Post (Canada)
- How Harper Uses Psychology to Peddle Myths
- Ontario's McLobster Dreams Have Come True
Toronto Star
- Suspension of EI whistleblower sets dangerous precedent, critics say
Winnipeg Free Press
- Slurpees & Winnipeg: A love story
- Winnipeg sucks! Slurpee king again
JAPAN
ak47: tumblr
Poor Pikachu! (my caption)
enRoute (Air Canada)
- Inside the Nebuta House Wa Rasse Museum
Japan Pulse
- The last of the McDonald's Jewelry
- Limited-edition burgers, ep. deux
(- A Tale of Two Limited-Edition Burgers: Lotteria's Twin and McD's Gold Ring - July 9)
Japan Times
- Mount Fuji fee charged, but signs in Japanese
- Plant by numbers
Kotaku.com
- Unique Japanese Mail Boxes Are Wonderful in Rain or Shine
- How a Japanese Radish Became an Internet Hero
- Ferrari Lovers, This Anime Stunt Might Horrify You
WORLD
The Beaverton (satirical news site)
- Kate Middleton gives birth to beautiful, healthy news story
Kotaku.com
- How Chinese Ingenuity Destroyed Salad Bars at Pizza Hut
Geekologie.com
- Man Caught Driving With Pliers For A Steering Wheel
The White House
- President Obama: Trayvon Martin Could Have Been Me
ART/STUFF/DIY
Geekologie.com
- Just What I Always Wanted!: Raw Meat Gift Wrap Paper
imgur
-15 Over-Used Movie Poster Clichés
Kotaku.com
- How To Turn Your Cat into Totoro
- Act fast and you can snag this hilarious Mario warp-pipe cat complex from CatistrophicCreations on Etsy
TAXI
- Crisp Illustrations Of Creatures From Japanese Folklore
VIDEOS
BuzzFeed
- Japanese Animator Films Mesmerizing Lightscapes in Downtown Tokyo
Jezebel.com
- Rad Kids React to Racists Freaking Out About the Cheerios Commerical
- The Daily Show's Zimmerman Coverage Is as Rage-Filled as It Should Be
Entertainment Weekly
- PopWatch: Here's what happens when 280 movies are edited together to sing Vanilla Ice's 'Ice Ice Baby'
YouTube
- Shut Up & Sit Down, Season 2, Episode 12 - Introduction to Board Games
- YANIS MARSHALL "SPICE GIRLS" Directed By FERNANDO DE AZEVEDO Feat ARNAUD BOURSAIN & MEHDI MAMINE
Sunday, November 7, 2010
Sunday outing
Today was a rare solo Sunday outing to Hachinohe. (I'm a homebody and--with the exception of major trips, like to Hiroshima, Osaka, etc.--rarely go to places outside of Towada by myself.)
It started with a trip to Sweet Peach Salon スウィートピーチサロン for lunch. I was a little nervous about getting lost, but I only had to pull overonce twice to check the map and regain my bearings. ^_^
Even though the Salon location is a little further out there than the main shop (which is right in downtown Hachinohe), I picked that location because it has free parking and I figured the roads would be less busy and thus less stressful to navigate for someone unfamiliar with the area.
Anyway, back to Sweet Peach Salon! It's a pretty little shop (seats about 18 people total, with 3 tables for 2 and 3 tables for 4) with a nice atmosphere.
The lunch menu is limited to one set that you can choose to have by itself (680yen), with cake (880yen), or with a parfait (1100yen), but within that one set, you get a good variety of smaller dishes: some bread, a waffle, a small salad, some fruit, and curry, plus a hot drink (coffee, tea, etc.).
Being the glutton that I am, I went for the lunch plus parfait. =P It was pretty simple, but I liked it because instead of the usual corn flake or whipped cream fillers, it was pretty much all fruit plus a bit of ice cream: pear, pineapple, persimmon, strawberry, kiwi on top, plus banana mixed in with the ice cream, to be precise. The proportion of fruit to ice cream made me feel much less guilty about indulging myself. ^_~
Following lunch I headed to the Hachinohe Koukaidou (公会堂 public hall/civic auditorium) to watch my Nihonbuyo teacher, Rika-sensei perform. Thankfully I didn't get lost at all (hooray for signs leading to City Hall, which is next to the Koukaidou!) and made it just in time for her performance. (I entered partway through the performance before hers, in fact.)
I didn't get the story 100%, but it was still a really impressive dance--she played 3-4 roles (indicated by the changing of headpieces) all by herself! She was a baby (or little kid), an old man, and a husband and wife couple, too, I believe. I was really in awe of her skill, and that of the guy who was helping her with all the headpiece changes.
The guy had to sit in a kneeling position unobtrusively in the back for most of the dance and only moved forward a bit when it was time to change the headpiece or to take a prop from Rika-sensei. The timing was impeccable and super impressive! With all the different props I imagine it must have taken a fair bit of practice to ensure that he had the correct headpiece ready for her to take at precisely the right time and in precisely the right location (on the stage).
After the performance I went backstage to give my compliments to Rika-sensei.
It was pretty crazy because she had to remove all of the makeup from her face, arms and legs AND change into a regular kimono while accepting presents and congratulations from various visitors. She also had to make sure that each visitor received a small gift (sandwiches and tea) as okaeshi (お返し a sort of return gift/answering gesture of thanks).
Once again I was struck by just how expensive it is to do Nihonbuyo. I mean, on top of paying for kimono/wig rentals and dressing (and possibly a make-up artist as well), you have to think about preparing/buying sufficient okaeshi for people who come to watch you perform. @_@ Though I get the sense that at least it's only something you have to do for major performances (i.e. where there's an actual admission fee), since I only remember seeing all the お返し being given out during last year's big Hanasuzukai performance and not for the annual Shimin Bunkaisai. Or maybe it's for all performances and I just wasn't really paying attention last weekend...
Anyway, after the performance I headed back home--again miraculously managing to avoid getting lost on the return trip! ^_^ And that was my Sunday out in Hach!
スウィートピーチサロン (Sweet Peach Salon)
http://sweetpeach.jp/
〒039-1114
青森県八戸市北白山台5-2-5
5-2-5 Kitahakusandai, Hachinohe City, Aomori Prefecture
東奥日報社八戸2F
To-o Nippo Press Co. Hachinohe, 2nd Fl.
TEL/FAX0178-23-5370
Parking available
Hours: 11:00-18:00, Mon., Wed.-Sun.
(Lunch Served 11:30-14:00)
Closed: Tuesdays (except National Holidays, in which case it will close on the Wed. following the holiday Tuesday)
It started with a trip to Sweet Peach Salon スウィートピーチサロン for lunch. I was a little nervous about getting lost, but I only had to pull over
Even though the Salon location is a little further out there than the main shop (which is right in downtown Hachinohe), I picked that location because it has free parking and I figured the roads would be less busy and thus less stressful to navigate for someone unfamiliar with the area.
Anyway, back to Sweet Peach Salon! It's a pretty little shop (seats about 18 people total, with 3 tables for 2 and 3 tables for 4) with a nice atmosphere.
The lunch menu is limited to one set that you can choose to have by itself (680yen), with cake (880yen), or with a parfait (1100yen), but within that one set, you get a good variety of smaller dishes: some bread, a waffle, a small salad, some fruit, and curry, plus a hot drink (coffee, tea, etc.).
Being the glutton that I am, I went for the lunch plus parfait. =P It was pretty simple, but I liked it because instead of the usual corn flake or whipped cream fillers, it was pretty much all fruit plus a bit of ice cream: pear, pineapple, persimmon, strawberry, kiwi on top, plus banana mixed in with the ice cream, to be precise. The proportion of fruit to ice cream made me feel much less guilty about indulging myself. ^_~
Following lunch I headed to the Hachinohe Koukaidou (公会堂 public hall/civic auditorium) to watch my Nihonbuyo teacher, Rika-sensei perform. Thankfully I didn't get lost at all (hooray for signs leading to City Hall, which is next to the Koukaidou!) and made it just in time for her performance. (I entered partway through the performance before hers, in fact.)
I didn't get the story 100%, but it was still a really impressive dance--she played 3-4 roles (indicated by the changing of headpieces) all by herself! She was a baby (or little kid), an old man, and a husband and wife couple, too, I believe. I was really in awe of her skill, and that of the guy who was helping her with all the headpiece changes.
The guy had to sit in a kneeling position unobtrusively in the back for most of the dance and only moved forward a bit when it was time to change the headpiece or to take a prop from Rika-sensei. The timing was impeccable and super impressive! With all the different props I imagine it must have taken a fair bit of practice to ensure that he had the correct headpiece ready for her to take at precisely the right time and in precisely the right location (on the stage).
After the performance I went backstage to give my compliments to Rika-sensei.
It was pretty crazy because she had to remove all of the makeup from her face, arms and legs AND change into a regular kimono while accepting presents and congratulations from various visitors. She also had to make sure that each visitor received a small gift (sandwiches and tea) as okaeshi (お返し a sort of return gift/answering gesture of thanks).
Once again I was struck by just how expensive it is to do Nihonbuyo. I mean, on top of paying for kimono/wig rentals and dressing (and possibly a make-up artist as well), you have to think about preparing/buying sufficient okaeshi for people who come to watch you perform. @_@ Though I get the sense that at least it's only something you have to do for major performances (i.e. where there's an actual admission fee), since I only remember seeing all the お返し being given out during last year's big Hanasuzukai performance and not for the annual Shimin Bunkaisai. Or maybe it's for all performances and I just wasn't really paying attention last weekend...
Anyway, after the performance I headed back home--again miraculously managing to avoid getting lost on the return trip! ^_^ And that was my Sunday out in Hach!
スウィートピーチサロン (Sweet Peach Salon)
http://sweetpeach.jp/
〒039-1114
青森県八戸市北白山台5-2-5
5-2-5 Kitahakusandai, Hachinohe City, Aomori Prefecture
東奥日報社八戸2F
To-o Nippo Press Co. Hachinohe, 2nd Fl.
TEL/FAX0178-23-5370
Parking available
Hours: 11:00-18:00, Mon., Wed.-Sun.
(Lunch Served 11:30-14:00)
Closed: Tuesdays (except National Holidays, in which case it will close on the Wed. following the holiday Tuesday)
Sunday, July 4, 2010
Community spirit
One of the things that really impresses me is the community spirit/pride I see in some of the more...rural...areas of Towada.
For example, today I went to the 8th Annual Kennan Kyoudogeinou Festival (第8回県南郷土芸能フェスティバル)--part of the Oirase Roman Park Festival (奥入瀬ろまんパークフェスティバル). (According to my Kenkyusha Dictionary, "Kyoudougeninou" can be translated as "local performing arts"--although I think that's a little awkward, I don't have a better translation, so...)
It featured local traditional dances from Towada-shi, Rokunohe-machi, and Shingo-mura. Representing Towada were Kamikirida Elementary School with the Kirida Koma Odori (駒踊り horse dance) and Sawada Elementary School and the Sawada Keimai Club with the Sawada Keimai (鶏舞 chicken dance).
Even though I've seen both dances and all three of the groups' performances several times in the past, I still found it impressive. What I find most impressive is the amount of effort everyone involved--the schools, children, parents, local people--puts into preserving the local traditions/culture.
The elementary schools set aside time for the students to learn and practice the dances. Students give up their recess and lunch breaks to practice for performances. Parents and members of the community come in to teach the students and/or to play the flutes/drums as accompaniment. I especially respect the members of the Sawada Keimai Club (mostly junior high and high school students) because it's something they do outside of school, in their free time. (And although they weren't performing this time, there are also adult groups that perform both the Kirida Koma Odori and Sawada Keimai.)
I imagine they probably all feel a strong sense of community and pride in their local traditions/history/culture. It must be nice. If I was a person looking to start a family in Towada, I think I would want to live in the Kirita or Sawada area (or Takisawa or Horanai--they also have local traditional dances) rather than closer to the city centre.
Going to watch my students' performances also reminds me how lucky I was to get placed as the Kirita ALT because I doubt I would ever have found out about events like the Kyoudogeinou/Oirase Roman Park Festival otherwise.
For example, today I went to the 8th Annual Kennan Kyoudogeinou Festival (第8回県南郷土芸能フェスティバル)--part of the Oirase Roman Park Festival (奥入瀬ろまんパークフェスティバル). (According to my Kenkyusha Dictionary, "Kyoudougeninou" can be translated as "local performing arts"--although I think that's a little awkward, I don't have a better translation, so...)
It featured local traditional dances from Towada-shi, Rokunohe-machi, and Shingo-mura. Representing Towada were Kamikirida Elementary School with the Kirida Koma Odori (駒踊り horse dance) and Sawada Elementary School and the Sawada Keimai Club with the Sawada Keimai (鶏舞 chicken dance).
Even though I've seen both dances and all three of the groups' performances several times in the past, I still found it impressive. What I find most impressive is the amount of effort everyone involved--the schools, children, parents, local people--puts into preserving the local traditions/culture.
The elementary schools set aside time for the students to learn and practice the dances. Students give up their recess and lunch breaks to practice for performances. Parents and members of the community come in to teach the students and/or to play the flutes/drums as accompaniment. I especially respect the members of the Sawada Keimai Club (mostly junior high and high school students) because it's something they do outside of school, in their free time. (And although they weren't performing this time, there are also adult groups that perform both the Kirida Koma Odori and Sawada Keimai.)
I imagine they probably all feel a strong sense of community and pride in their local traditions/history/culture. It must be nice. If I was a person looking to start a family in Towada, I think I would want to live in the Kirita or Sawada area (or Takisawa or Horanai--they also have local traditional dances) rather than closer to the city centre.
Going to watch my students' performances also reminds me how lucky I was to get placed as the Kirita ALT because I doubt I would ever have found out about events like the Kyoudogeinou/Oirase Roman Park Festival otherwise.
Saturday, November 28, 2009
Saint Oniisan
What if Jesus and Buddha shared an apartment in modern day Tokyo?
That's the premise behind the comical slice-of-life manga "聖☆おにいさん" (Saint Oniisan a.k.a Saint Young Men) by Nakamura Hikaru. It began serialization in Kodansha's monthly "モーニング・ツー" (Morning Two) magazine in 2007 and has since gained a fair bit of popularity as well as critical acclaim. It was even awarded the 2009 Tezuka Osamu Cultural Prize Short Story Award.
Unfortunately, it has not yet been licensed for North American release. As a Christian, I'd really like to see this manga translated into English. Some will find it offensive, I'm sure, but I think that the amount of discussion about Jesus, Christianity, and religion in general an English translation would generate would be beneficial. (Well, open-minded discussion would be beneficial, anyway. Obviously strong knee-jerk "This is sacrilegious and should be banned" type rants would probably only promote a negative impression of Christianity as close-minded and judgmental...)
Admittedly it's not a manga I can say that I enjoy without reservations, but I do find it interesting and fairly amusing. [Note: Just to give you fair warning, I talk in detail about some of the scenes, so the rest of the post has a lot of what some might consider "spoilers."]
[Side note: The first time I heard about it, I was really interested in reading it. The first chapter, though, didn't really catch my interest so I didn't bother reading more. After talking about it with a friend, however, I decided to give it a second try and ended up going through all of the chapters currently available online as English scanlations.]
It's interesting to see the writer's perspective on/portrayal of Jesus, even though (based on what I've read so far) I do have some issues with the characterization of Jesus. The artist/writer did apparently research the characters and topics a fair bit, and reportedly has stated that the work is meant to honour both characters--which I don't doubt, but...
There are some minor things I find odd--like the running stigmata gag where Jesus's foreheard starts bleeding (around the crown of thorns) when he gets upset, but I recognize that they simply feel strange to me because they have their roots in the Roman Catholic tradition. But the one thing in the manga that I can't seem to reconcile myself to is how Jesus comes across as very careless about money. (In contrast, Buddha is the more practical/budget conscious character.)
On the one hand, I can understand how the depiction is a literary necessity. I mean, a lot of the humour of the manga comes from the contrast between Jesus and Buddha in their personalities, reactions to things, etc. Besides, in comedic stories characters usually need to have some sort of personality quirk that can be played upon. Apart from literary/artistic explanations for Jesus' portrayal in the manga, I can also see how one might come to think that Jesus might have a careless attitude towards money since he does say:
But not worrying excessively about money/not working too hard in the pursuit of wealth is different from being careless about money. And the Jesus of Saint Oniisan is portrayed as being a careless and even somewhat frivolous spender.
For example, every time the two go traveling/sightseeing somewhere, Jesus wants to buy useless souvenirs/things and Buddha constantly has to tell him to mind their budget and to be more practical. In one chapter (v1 c3), the two go to Asakusa. Buddha has to buy a baseball cap to cover his head/forehead so that he won't be accosted by tourists. Jesus, on the other hand, chooses to buy a complete Shinsengumi costume set--a purchase he justifies to Buddha as a pajama set. In another chapter (v1c7), Jesus spends a lot of money on a beginner's modeling set. And the first things he makes--the "something very dear to [him], a representation of [his] symbol" that Jesus sculpts--is not a cross which Buddha expects it to be but rather a laptop computer. (Jesus runs a blog/website where he posts reviews from every drama on every TV drama on the same day that it airs.)
Taken individually, I found both scenes quite amusing. Being a fan of the Shinsengumi and having been tempted more than once to buy some tacky Shinsengumi paraphernalia myself, I could definitely relate to the Asakusa experience. As a blogger who has recently added Sitemeter to my site--so I'm now compulsively checking my site stats once or twice a day!--I found the "Jesse's Dramandala" (Jesus uses a pseudonym) chapter pretty amusing.too.
But when I look at broader implications of the scenes, it bothers me to realize just how much of the time the Jesus of the manga is occupied with things. More than just being a frivolous spender, he comes across as being rather materialistic. Yet Jesus is the one who said "Do not store up for yourselves treasures on earth.... But store up for yourselves treasures in heaven.... For where your treasure is, there your heart will be also" (Matthew 6:19a, 21). So I don't think Jesus would really spend a lot of time trying to find the right Asakusa souvenir or making a lunchbox shaped like a notebook computer (much less making one as his "symbol").
Another "interesting" thing about the "Jesse's Dramadala" chapter (v1 c5) was the role it assigned to Buddha in one scene. After finishing his blogging, Jesus is hungry and wants to eat something. But there's nothing in the fridge and it's raining outside, so he asks Buddha if they can order in. Budget-conscious as he is, Buddha suggests that Jesus fast for the night. Finally Buddha seems to relent and goes off to get Jesus something. He returns in short order with a glass of water and a plate of rocks and tells Jesus that he can simply turn it tor bread and wine.
What's interesting about this scene is that it casts Buddha in the role of Satan. After all, in the Bible, before Jesus begins his ministry, he spends 40 days and nights fasting alone in the wilderness:
So Buddha is actually taking on the role of the devil when he tells Jesus to turn the rocks into bread! And it seems like this was done intentionally by the writer, since Jesus' reply is something along the lines that Buddha doesn't have to play the part of a "demon bride." (Of course that's from the English scanlation. I haven't read the original Japanese, so I can't say how accurate the translation actually is.) I wonder what devout Buddhists would have to say about that?!
Another scene that I thought was interesting on a personal level but problematic on a Biblical level was when Buddha and Jesus participate in a mikoshi carry at an autumn festival (aki matsuri) (v1 c8). Jesus and Buddha are talking about how cool happi coats are, but in order to wear them, they have to participate in carrying the mikoshi (portable Shinto shrine). In the end of course, they decide to do it even though they're afraid of "getting made fun of by the Shinto god (of the shrine)." Their logic: no one will recognize them anyway!
The Biblical issues with the scene are pretty obvious, but it really struck me because way back in my first year in Towada I also participated in a mikoshi carry in the Towada Aki Matsuri. At the time I only thought of it as participating in a Japanese "cultural" thing and didn't even consider the religious implications.
And I think really that's been one of my biggest problems living in Japan. There are so many "cultural" things that have Shinto/Buddhist origins/meanings but it seems like many Japanese don't make that distinction between religion/culture, so I always end up going with the flow and thinking about the implications after the fact.
For example, last year the Towada ALTs were invited to a New Year's celebration held by the Towada Soroptimist Group. We ate traditional Japanese New Year food (osechi ryouri), played with traditional children's toys/games. They also dressed us in very nice kimonos (girls)/hakamas (guys). But at one point our hostess asked us to pay respects to her late husband. This of course involved lighting incense and "praying" at the household memorial altar.
Although this custom comes from Buddhism and is a form of ancestor worship, I feel like for many Japanese it's more a matter of respect rather than a religious practice. So I was afraid that refusing would seem disrespectful. I did do it--out of respect--and tried to offset the sense of "wrongness" by at least praying to God while paying my respects, but it was a very uncomfortable moment for me. And really, I should have not done it and explained why I felt uncomfortable doing it. I'm sure our hostess would have understood if I had explained that I was refusing in order to be respectful to my own beliefs, and not out of any disrespect.
I've always felt like it was cowardice/fear of "confrontation" that made me "go with flow" and that kept me from properly explaining myself in such situations. But from reading Introverts in the Church I've come to realize that as an introvert, I generally take longer to think/react (compared to more extroverted people), so it's really more a problem of feeling pressured to respond without having enough time to think. And of course when you're feeling under pressure, it's easier to choose the path of least resistance. The Soroptimist New Year's party wasn't the first time such a situation had come, but the last time I had thought about the issue of paying respects to deceased family was the summer of my first year (re: obon), so I was sort of taken by surprise by the situation. Instead of simply feeling guilty about being "too afraid to explain myself," from now on I think I just need to remind myself before going to a Japanese person's house that such a situation may come up and prepare myself mentally to give a proper explanation.
But back to Saint Oniisan...
As problematic as I find some aspects of the manga, there are some scenes which I find truly funny. My favourite scene is probably the sauna scene in v1 c6. Jesus and Buddha go to the local pool/community center and end their day in the sauna. Jesus strikes up conversation with a guy there who just "happens" to be a yakuza member! The yakuza member see Jesus' scars and asks how he got them. Jesus answers that they were from being "condemned to capital punishment by some government officers" and the yakuza guy takes him to be a fellow former convict.
The yakuza guy goes on to explain how he spent seven years in Hokkaido after being betrayed by one of his "younger bros" (from the English fan translation). Jesus remarks that his situation was similar, but, in his case, he was able to come back after three days. The yakuza is naturally impressed and wants to know how Jesus managed that. Jesus replies that he didn't actually do anything. The yakuza guy asks if "someone pulled [Jesus] out from there." Jesus' answer: "Oh, no, in my case... It was the will of my Father, so..."
From this the yakuza guy draws the conclusion that Jesus is the second generation head of his (yakuza) group! It's really a great scene, and the way Jesus is drawn when he says "It was the will of my Father" really adds to the effect!
Although each chapter is pretty much stand-alone, there is some plot continuity. For example, when Jesus and Buddha go to the fall festival (v1 c8) where they participate in the mikoshi carry, they actually meet up with the sauna yakuza guy. He (and some fellow group members) are running a game stand and they are actually the ones who get Jesus and Buddha the happi coats and invitation to participate in the mikoshi carrying. =P
Actually, I really liked that the yakuza were "the first friends [Jesus and Buddha] made in the mundane world." I think it really fits with the Biblical depiction of Jesus as a friend of people outcast and marginalized by society.
So yeah, I think Saint Oniisan is an interesting manga that raises a lot of good points for discussion about not only the characters of Jesus and Buddha but also about religion in general. I haven't decided whether or not to buy the Japanese manga yet, but I'm definitely keeping track of the English fan translations!
That's the premise behind the comical slice-of-life manga "聖☆おにいさん" (Saint Oniisan a.k.a Saint Young Men) by Nakamura Hikaru. It began serialization in Kodansha's monthly "モーニング・ツー" (Morning Two) magazine in 2007 and has since gained a fair bit of popularity as well as critical acclaim. It was even awarded the 2009 Tezuka Osamu Cultural Prize Short Story Award.
Unfortunately, it has not yet been licensed for North American release. As a Christian, I'd really like to see this manga translated into English. Some will find it offensive, I'm sure, but I think that the amount of discussion about Jesus, Christianity, and religion in general an English translation would generate would be beneficial. (Well, open-minded discussion would be beneficial, anyway. Obviously strong knee-jerk "This is sacrilegious and should be banned" type rants would probably only promote a negative impression of Christianity as close-minded and judgmental...)
Admittedly it's not a manga I can say that I enjoy without reservations, but I do find it interesting and fairly amusing. [Note: Just to give you fair warning, I talk in detail about some of the scenes, so the rest of the post has a lot of what some might consider "spoilers."]
[Side note: The first time I heard about it, I was really interested in reading it. The first chapter, though, didn't really catch my interest so I didn't bother reading more. After talking about it with a friend, however, I decided to give it a second try and ended up going through all of the chapters currently available online as English scanlations.]
It's interesting to see the writer's perspective on/portrayal of Jesus, even though (based on what I've read so far) I do have some issues with the characterization of Jesus. The artist/writer did apparently research the characters and topics a fair bit, and reportedly has stated that the work is meant to honour both characters--which I don't doubt, but...
There are some minor things I find odd--like the running stigmata gag where Jesus's foreheard starts bleeding (around the crown of thorns) when he gets upset, but I recognize that they simply feel strange to me because they have their roots in the Roman Catholic tradition. But the one thing in the manga that I can't seem to reconcile myself to is how Jesus comes across as very careless about money. (In contrast, Buddha is the more practical/budget conscious character.)
On the one hand, I can understand how the depiction is a literary necessity. I mean, a lot of the humour of the manga comes from the contrast between Jesus and Buddha in their personalities, reactions to things, etc. Besides, in comedic stories characters usually need to have some sort of personality quirk that can be played upon. Apart from literary/artistic explanations for Jesus' portrayal in the manga, I can also see how one might come to think that Jesus might have a careless attitude towards money since he does say:
So do not worry, saying, 'What shall we eat?' or 'What shall we drink?' or 'What shall we wear?' For the pagans run after all these things, and your heavenly Father knows that you need them. But seek first his kingdom and his righteousness, and all these things will be given to you as well. Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own. - Matthew 6:31-34
But not worrying excessively about money/not working too hard in the pursuit of wealth is different from being careless about money. And the Jesus of Saint Oniisan is portrayed as being a careless and even somewhat frivolous spender.
For example, every time the two go traveling/sightseeing somewhere, Jesus wants to buy useless souvenirs/things and Buddha constantly has to tell him to mind their budget and to be more practical. In one chapter (v1 c3), the two go to Asakusa. Buddha has to buy a baseball cap to cover his head/forehead so that he won't be accosted by tourists. Jesus, on the other hand, chooses to buy a complete Shinsengumi costume set--a purchase he justifies to Buddha as a pajama set. In another chapter (v1c7), Jesus spends a lot of money on a beginner's modeling set. And the first things he makes--the "something very dear to [him], a representation of [his] symbol" that Jesus sculpts--is not a cross which Buddha expects it to be but rather a laptop computer. (Jesus runs a blog/website where he posts reviews from every drama on every TV drama on the same day that it airs.)
Taken individually, I found both scenes quite amusing. Being a fan of the Shinsengumi and having been tempted more than once to buy some tacky Shinsengumi paraphernalia myself, I could definitely relate to the Asakusa experience. As a blogger who has recently added Sitemeter to my site--so I'm now compulsively checking my site stats once or twice a day!--I found the "Jesse's Dramandala" (Jesus uses a pseudonym) chapter pretty amusing.too.
But when I look at broader implications of the scenes, it bothers me to realize just how much of the time the Jesus of the manga is occupied with things. More than just being a frivolous spender, he comes across as being rather materialistic. Yet Jesus is the one who said "Do not store up for yourselves treasures on earth.... But store up for yourselves treasures in heaven.... For where your treasure is, there your heart will be also" (Matthew 6:19a, 21). So I don't think Jesus would really spend a lot of time trying to find the right Asakusa souvenir or making a lunchbox shaped like a notebook computer (much less making one as his "symbol").
Another "interesting" thing about the "Jesse's Dramadala" chapter (v1 c5) was the role it assigned to Buddha in one scene. After finishing his blogging, Jesus is hungry and wants to eat something. But there's nothing in the fridge and it's raining outside, so he asks Buddha if they can order in. Budget-conscious as he is, Buddha suggests that Jesus fast for the night. Finally Buddha seems to relent and goes off to get Jesus something. He returns in short order with a glass of water and a plate of rocks and tells Jesus that he can simply turn it tor bread and wine.
What's interesting about this scene is that it casts Buddha in the role of Satan. After all, in the Bible, before Jesus begins his ministry, he spends 40 days and nights fasting alone in the wilderness:
Then Jesus was led by the Spirit into the desert to be tempted by the devil.After fasting forty days and forty nights, he was hungry. The tempter came to him and said, "If you are the Son of God, tell these stones to become bread." Jesus answered, "It is written: 'Man does not live on bread alone, but on every word that comes from the mouth of God." - Matthew 4:1-4
So Buddha is actually taking on the role of the devil when he tells Jesus to turn the rocks into bread! And it seems like this was done intentionally by the writer, since Jesus' reply is something along the lines that Buddha doesn't have to play the part of a "demon bride." (Of course that's from the English scanlation. I haven't read the original Japanese, so I can't say how accurate the translation actually is.) I wonder what devout Buddhists would have to say about that?!
Another scene that I thought was interesting on a personal level but problematic on a Biblical level was when Buddha and Jesus participate in a mikoshi carry at an autumn festival (aki matsuri) (v1 c8). Jesus and Buddha are talking about how cool happi coats are, but in order to wear them, they have to participate in carrying the mikoshi (portable Shinto shrine). In the end of course, they decide to do it even though they're afraid of "getting made fun of by the Shinto god (of the shrine)." Their logic: no one will recognize them anyway!
The Biblical issues with the scene are pretty obvious, but it really struck me because way back in my first year in Towada I also participated in a mikoshi carry in the Towada Aki Matsuri. At the time I only thought of it as participating in a Japanese "cultural" thing and didn't even consider the religious implications.
And I think really that's been one of my biggest problems living in Japan. There are so many "cultural" things that have Shinto/Buddhist origins/meanings but it seems like many Japanese don't make that distinction between religion/culture, so I always end up going with the flow and thinking about the implications after the fact.
For example, last year the Towada ALTs were invited to a New Year's celebration held by the Towada Soroptimist Group. We ate traditional Japanese New Year food (osechi ryouri), played with traditional children's toys/games. They also dressed us in very nice kimonos (girls)/hakamas (guys). But at one point our hostess asked us to pay respects to her late husband. This of course involved lighting incense and "praying" at the household memorial altar.
Although this custom comes from Buddhism and is a form of ancestor worship, I feel like for many Japanese it's more a matter of respect rather than a religious practice. So I was afraid that refusing would seem disrespectful. I did do it--out of respect--and tried to offset the sense of "wrongness" by at least praying to God while paying my respects, but it was a very uncomfortable moment for me. And really, I should have not done it and explained why I felt uncomfortable doing it. I'm sure our hostess would have understood if I had explained that I was refusing in order to be respectful to my own beliefs, and not out of any disrespect.
I've always felt like it was cowardice/fear of "confrontation" that made me "go with flow" and that kept me from properly explaining myself in such situations. But from reading Introverts in the Church I've come to realize that as an introvert, I generally take longer to think/react (compared to more extroverted people), so it's really more a problem of feeling pressured to respond without having enough time to think. And of course when you're feeling under pressure, it's easier to choose the path of least resistance. The Soroptimist New Year's party wasn't the first time such a situation had come, but the last time I had thought about the issue of paying respects to deceased family was the summer of my first year (re: obon), so I was sort of taken by surprise by the situation. Instead of simply feeling guilty about being "too afraid to explain myself," from now on I think I just need to remind myself before going to a Japanese person's house that such a situation may come up and prepare myself mentally to give a proper explanation.
But back to Saint Oniisan...
As problematic as I find some aspects of the manga, there are some scenes which I find truly funny. My favourite scene is probably the sauna scene in v1 c6. Jesus and Buddha go to the local pool/community center and end their day in the sauna. Jesus strikes up conversation with a guy there who just "happens" to be a yakuza member! The yakuza member see Jesus' scars and asks how he got them. Jesus answers that they were from being "condemned to capital punishment by some government officers" and the yakuza guy takes him to be a fellow former convict.
The yakuza guy goes on to explain how he spent seven years in Hokkaido after being betrayed by one of his "younger bros" (from the English fan translation). Jesus remarks that his situation was similar, but, in his case, he was able to come back after three days. The yakuza is naturally impressed and wants to know how Jesus managed that. Jesus replies that he didn't actually do anything. The yakuza guy asks if "someone pulled [Jesus] out from there." Jesus' answer: "Oh, no, in my case... It was the will of my Father, so..."
From this the yakuza guy draws the conclusion that Jesus is the second generation head of his (yakuza) group! It's really a great scene, and the way Jesus is drawn when he says "It was the will of my Father" really adds to the effect!
Although each chapter is pretty much stand-alone, there is some plot continuity. For example, when Jesus and Buddha go to the fall festival (v1 c8) where they participate in the mikoshi carry, they actually meet up with the sauna yakuza guy. He (and some fellow group members) are running a game stand and they are actually the ones who get Jesus and Buddha the happi coats and invitation to participate in the mikoshi carrying. =P
Actually, I really liked that the yakuza were "the first friends [Jesus and Buddha] made in the mundane world." I think it really fits with the Biblical depiction of Jesus as a friend of people outcast and marginalized by society.
So yeah, I think Saint Oniisan is an interesting manga that raises a lot of good points for discussion about not only the characters of Jesus and Buddha but also about religion in general. I haven't decided whether or not to buy the Japanese manga yet, but I'm definitely keeping track of the English fan translations!
Monday, October 5, 2009
Nihonbuyo Performance
(Note: Nihonbuyo = Classical Japanese Dance)
So for the past year or so many people have been practicing/preparing for the big Nihonbuyo performance that went on at the Bunka Center this past Sunday, October 4th. There were 20 different performances and probably 50 or so performers (from pre-school children to senior citizens).
It was a massive event requiring a heck load of logistical planning, preparations, and manpower. There were professionals from Tokyo to put make-up, kimonos, and wigs on performers. Numerous sets, props, and hair pieces had to be made. It was a completely different experience than last year's November Bunka Sai (which is still/also going on this year--so practices aren't done for me, yet!).
The nice thing was that since we started practicing a year ago, I didn't actually have to go to a lot of extra practices this time around. Last year, I started learning Nihonbuyo in June and the performance was in November, so in the last month or so before the performance I had to go to practices twice a week to feel like I sort of knew what I was doing. This time the only extra practices I really needed were the group practices.
But with a year's experience under my belt and my Japanese (or at least my willingness to speak Japanese) much improved since the last event, I ended up helping out with more stuff this year. For example, I learned how to do the basic make-up for the children and for my own performance so that if the professionals were too busy I could at least help a bit. (In the end, though, I only helped put make-up on the hands of one girl when no professionals were around.) I also came early on the dress rehearsal day to help get things set up (taping up names lists by the "dressing rooms", carting around boxes, etc.).
As a result, I was really tired on Saturday (even though I did leave early--around 4pm) and I think that carried over a bit to the Sunday. It also didn't help that the dress rehearsal for our piece was pretty rough because the Mandolin club that was doing the live music for our performance didn't all show up for the dress rehearsal! As a result, we couldn't catch our cues (no guitars were there, and some of our cues came solely from the guitars) and I think it made us all a lot more nervous than we needed to be.
I know that Saturday night I started feeling nauseated--which is what happens when I'm super nervous about something. I was in bed by 10pm, but I was having a fair bit of difficulty actually getting to sleep. Luckily my friend emailed right around then telling me to "relax and enjoy" the next day, and that helped settle my nerves a bit. I also got a call from my dad telling me that he was home! (Unfortunately I couldn't/didn't talk very long with him because I *was* trying to sleep early for the performance and by that point it was past 10:30pm). With that good news I was better able to go to sleep.
I guess I was still pretty nervous, though, because I ended up having really weird dreams. One was that some villains attacked a group returning from an archeological dig and stole some armor that gave them super powers. During the attack/theft, however, they dropped a cup-shaped thing which turned out to extend to be a bell. A friend of mine picked it up and tried ringing it. It turned out to be a sort of control device which forced all the armor pieces (along with the people wearing them) to come running to the bell. Naturally this put my friend and I on the run from the villains. We collapsed the bell again and wrapped it in a towel to prevent it from ringing. We ran into a big warehouse-like building with a festival/exhibition going on to escape, and managed to make it back outside without anyone following us. Just as we were about to flee, however, my friend realized that she had left her wallet inside the bathroom and needed to go back to get it. (Being on the run requires funds, after all.) She handed me the bag with the bell for safekeeping and dashed back inside. That part of the dream ended just as she got/was about to get caught by the villains.
The next dream sequence started off at an airport. I was trying to be a good Samaritan, so I helped a lady catch a taxi that had just dropped off a passenger. It turned out, though, that the woman was the daughter of some really rich/important person and the taxi drivers (why there were two, I don't know) decided to take advantage of the opportunity to kidnap her. I and the person who had been dropped off by the taxi thus became material witnesses to the event. Since we couldn't leave the city until the woman was rescued, the woman's family opened their house to us. It was a gigantic house and inside it actually had farm animals and farm land! There were a bunch of goats running around as they pleased inside the house. On the tour of the house, they took us through a field of corn--but it wasn't corn on a cob, it was just a field of kernels! And there were a bunch of different colours, too--like green and blue! Same thing with the next field: it was all different types of tomatoes--purple, green, yellow, etc. (I expect all the farm imagery came from my having recently seen a picture of a bunch of different tomatoes that my friend got from Black Sheep Farm!) At some point during the tour, this dream sequence actually connected with the previous one and it turned out that the kidnapped woman held a key to stopping the super-powered armor pieces--something involving time travel, I believe--and so we needed to rescue her to stop the villains.
So yeah, when I woke up on Sunday morning I was in a bit of a bemused state thanks to the strange dreams. Even though I wasn't performing until close to 5pm (it was originally supposed to be closer to 4:00-4:30pm, but after the dress rehearsal they adjusted the times and it ended up being later), I still had to be at the Bunka Center by 9am. When I got there, I found out that I was supposed to have worn a kimono and not a yukata because I needed to go to give aisatsu (formal greetings) to the Japanese dance teacher from Tokyo, Sumiya(?)-sensei--my teacher's teacher. (Apparently that teacher is something like 70 years old, but even for an Asian woman she looked really young! Like in her late 50's/early 60's!) And apparently it's considered rude to give aisatsu in a yukata. There was a kimono there (the one I wore for the dress rehearsal) but I didn't have time to change into it before going to greet Sumiya-sensei.
Luckily I was able to go with my friend Kasumi (who often does dance practice with me) to give aisatsu, because it would've been super awkward for me to have gone alone. As it was, it was plenty awkward because I didn't realize that I was supposed to bring a token of appreciation for Sumiya-sensei. Thank goodness she at least knew that I was from Canada and not Japanese or I would've felt even worse. As it was, I felt pretty embarrassed to have received a handkerchief/towel thing from her even though I hadn't given her anything. @_@ I also got a handkerchief/towel thing from one of the other members of our dance--Oedo Nihonbashi--and felt bad for not having anything to reciprocate with.
Then too were all the flowers I received--from my friend from taiko (I bought my black and silver yukata from her shop), from my supervisor, from a teacher at my favourite elementary school (she also gave me a beautiful bag made from an old obi), from a teacher at Kirita, from two parents of students at Kirita, and even from the president of the Towada Soroptomist Society (although how she knew about my performing is completely beyond me!). At the time I was just really surprised and happy to receive them, but I learned today that it's customary for performers to prepare small gifts--bento, handkerchiefs, etc.--to give back as a token of appreciation. My dance teacher, Rika-sensei, for example, had something like a hundred things prepared, and even then she ran short! I know that it's OK for me to not know these things because I'm not Japanese, but still, I wish I had known.
Well, I can't go back in time, but I decided to at least bake peanut butter cookies tonight to give out tomorrow as thank you gifts for the people I received flowers from in person. (Well, the elementary school teacher I won't see for a while, so I'm sending her a thank you card through the office's "internal mail." And I'll have to get a card to the Soroptomist president somehow as well.)
But back to the performance. It was really a long day of waiting. I had my hair done first thing in the morning, but after that I had nothing to do. Luckily I was able to kill some of the time watching Kasumi and her dance partner getting their make-up, kimono, and wigs put on. I took a ton of photos of the entire process, as it was really impressive.
The rest of the time I was wandering around trying to at least not be in the way, if I couldn't be helpful. I felt a bit bad because Erik was there and Kristina came back stage for quite a while, too, but doing nothing but waiting gave me too much time to get nervous, so I didn't really feel like talking/socializing.
It was a relief when I was finally able to get my make-up done (luckily it turned out I didn't have to do my own) and get dressed in the kimono. By then Kasumi and some of the others had finished their bigger performances and we were able to practice together, which helped ease some of my tension.
After much waiting, it was finally time for the performance! It actually went surprisingly well. During practice I was always looking at Kasumi or someone next to me to match my timing to theirs, but I was able to look at the audience more than usual during the real thing. There were a few mistakes--at one point we made a circle and one-by-one leaned forward and tapped the shoulder of the person in front of us with our fan (kind of like a domino-effect) but I was too close to Kasumi and ended up brushing my face against her obi. @_@ At the very end I also put my right foot forward instead of my left. Thankfully I was in the back row, though, so I was able to quickly change to the proper position before the final pose without drawing much if any attention to my mistake.
Once we were done we just had to wait for Rika-sensei's piece before going back out to give aisatsu to the audience. (Her dance was the longest, at something like 25 minutes. My eight minutes was more than enough for me, and I was with a bunch of other people, so a 25-minute solo completely boggles my mind.)
After the aisatsu, we took a group shot and then all of the adults in Oedo Nihonbashi had to rush upstairs to take off our rental kimono so the kimono people could get packed up in time to make it to the after party for a short time before heading back to Tokyo. (The after party started around 6:30pm and they had to leave by 7:10pm to catch the train!)
Then it was the after party from 6:30pm to 8:00pm. (Apparently Rika-sensei was out until something like 2am, so I'm glad I decided to leave when I felt like I should head home, rather than trying to wait for the party to die down.)
I was planning on doing nothing but lesson planning and maybe a little more cleaning (in preparation for Nate's arrival on Wednesday!) tonight, but then I got an email from Rika-sensei during the day saying that some people were going to give aisatsu around 5pm and could I make it. Since I got the email in the morning, I didn't really read it or think about it too carefully and just said "sure." I really had no idea what I was going to go do, however.
Turned out it was just a smaller gathering of people coming to talk about the performance and to exchange thank you's, etc. Again, I felt awkward about a lack of knowledge of Japanese culture when, before leaving, all the other people handed Rika-sensei an envelope clearly decorated as a thank you envelope (i.e. for cash). @_@ Of course, I was the only one who didn't have one because I had no idea about the custom! I guess it was good for me to go just to learn about such things (it was also during this time that I learned the thing about the bringing gifts to reciprocate for gifts/flowers received during the performance), but I really prefer to learn things before making a mistake, rather than through/from errors.
*sigh* Just goes to show that no matter how well adjusted you think you are to Japanese culture, there are always some small things that you really can't know unless someone tells you about it specifically. In my case, I guess I shouldn't feel too bad because I suspect some of the etiquette is more specific to Nihonbuyo/special performances and thus not something people would normally be expected to know.
Oh, and in case you missed the link earlier, you can check out all my photos in my Facebook album here: http://www.facebook.com/album.php?aid=322372&id=655150561&l=05061ba504
Friday, February 15, 2008
A Happy Valentine's Day
As a happily single person, I could usually care less about Valentine's Day, but it was actually a lot of fun this year. Knowing that V-Day is a pretty big holiday in Japan, I spent the past two nights (Tuesday and Wednesday) baking chocolate chip cookies (using strawberry-flavoured and milk chocolate--yummy!) for all of the students and teachers at Kirita, plus the people in my section at the Towada Board of Education (60 people in total).
I somehow managed to wake up early enough to go to the office and back (~1hr roundtrip) before I had to leave to go to school. It was kind of fun (even though it was snowing and I was tired) because I was the first and only person in the office so I felt a little like Santa Claus (the Valentine Fairy?).
Then at Kirita, all of the students and teachers were appreciative of my V-Day presents, plus I got to do V-Day activities with all of my classes.
And the chocolate!!
I thought the (female) students would only give presents to the male teachers, but a lot of them made enough for all of the teachers (plus their classmates). One thing I learned, though, is that it’s a good idea to keep some sticky notes handy to identify the giver of each present as they’re given; it’s important to know who gave you presents so that you don’t miss giving anyone White Day presents. (March 14th is White Day, a day when girls who gave Valentine’s chocolate receive presents in return.)
Anyway, I came home with quite a haul!
For more (close-up) pictures of the presents, please see my Facebook photo page at http://www.facebook.com/album.php?aid=91348&l=7d2e2&id=655150561.
After school we had a rehearsal for a play some of us (ALTs) will be performing in Japanese at an "international" event in Towada. Following that the six of us went for dinner at a great Italian place in Towada called "Papa de Mucho."
Since I was in such a good mood, I decided to splurge and ordered the "Papa de" course: salad; pasta; dessert; and a soft drink. They were out of tiramisu, but the chocolate mousse was delicious, so it was fine.
I somehow managed to wake up early enough to go to the office and back (~1hr roundtrip) before I had to leave to go to school. It was kind of fun (even though it was snowing and I was tired) because I was the first and only person in the office so I felt a little like Santa Claus (the Valentine Fairy?).
Then at Kirita, all of the students and teachers were appreciative of my V-Day presents, plus I got to do V-Day activities with all of my classes.
And the chocolate!!
I thought the (female) students would only give presents to the male teachers, but a lot of them made enough for all of the teachers (plus their classmates). One thing I learned, though, is that it’s a good idea to keep some sticky notes handy to identify the giver of each present as they’re given; it’s important to know who gave you presents so that you don’t miss giving anyone White Day presents. (March 14th is White Day, a day when girls who gave Valentine’s chocolate receive presents in return.)
Anyway, I came home with quite a haul!
For more (close-up) pictures of the presents, please see my Facebook photo page at http://www.facebook.com/album.php?aid=91348&l=7d2e2&id=655150561.
After school we had a rehearsal for a play some of us (ALTs) will be performing in Japanese at an "international" event in Towada. Following that the six of us went for dinner at a great Italian place in Towada called "Papa de Mucho."
Since I was in such a good mood, I decided to splurge and ordered the "Papa de" course: salad; pasta; dessert; and a soft drink. They were out of tiramisu, but the chocolate mousse was delicious, so it was fine.
Monday, August 13, 2007
Obon in Misawa
Monday (we were given the day off to get our households in order) T-sensei picked AH and I up to go with her family to “celebrate” obon. Basically obon is a time when families go to pay respects to their ancestors; during this time, families clean the tombstones, leave offerings, and pray at temples. T-sensei and her husband were great about explaining the various rituals, and they even asked us to participate by placing some incense on the tomb marker.
(One thing that I didn't think about until much later, though, is whether or not I should have participated in the ceremony. I mean, I viewed it as a cultural/respect thing, but there was a Buddhist priest performing rites, and it is a Buddhist holiday/"celebration". Should I have tactfully declined to participate? I don't know, and I suspect that this will be a recurring problem/issue for me: the tension between being open to different cultures/beliefs and being true to my Christian beliefs.)
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